NY2410
12” X 9”
acrylic on paper
signed & dated on the back
Painted on 98lb, acid free, cold press, paper.
FREE SHIPPING IN THE CONTINENTAL US -- will be shipped flat, USPS Priority
COURTYARD or INTERIOR? Yeah, I can see this being an intricate brass design on a door in a midtown building. Or maybe part of a playground court. The 80’s and Memphis Design are still coming in hot! Plus a dash of Art Deco in this pink delight. I also see some Martin Ramirez influence in the concentric curves on on yellow near the edges. And check out that lovely rainbow from light pink to teal gliding along the bottom. Swoon! I’ve been playing around with how I treat the edges of paintings, by extending and cutting out shapes.
12” X 9”
acrylic on paper
signed & dated on the back
Painted on 98lb, acid free, cold press, paper.
FREE SHIPPING IN THE CONTINENTAL US -- will be shipped flat, USPS Priority
COURTYARD or INTERIOR? Yeah, I can see this being an intricate brass design on a door in a midtown building. Or maybe part of a playground court. The 80’s and Memphis Design are still coming in hot! Plus a dash of Art Deco in this pink delight. I also see some Martin Ramirez influence in the concentric curves on on yellow near the edges. And check out that lovely rainbow from light pink to teal gliding along the bottom. Swoon! I’ve been playing around with how I treat the edges of paintings, by extending and cutting out shapes.
12” X 9”
acrylic on paper
signed & dated on the back
Painted on 98lb, acid free, cold press, paper.
FREE SHIPPING IN THE CONTINENTAL US -- will be shipped flat, USPS Priority
COURTYARD or INTERIOR? Yeah, I can see this being an intricate brass design on a door in a midtown building. Or maybe part of a playground court. The 80’s and Memphis Design are still coming in hot! Plus a dash of Art Deco in this pink delight. I also see some Martin Ramirez influence in the concentric curves on on yellow near the edges. And check out that lovely rainbow from light pink to teal gliding along the bottom. Swoon! I’ve been playing around with how I treat the edges of paintings, by extending and cutting out shapes.
